

Dan has a gaping hole in his neck that won't heal. Why? He can't remember, nor talk about it. Back in the sinister arena of his childhood, he must find the part of himself he once left behind that prevents him, now an adult, from being whole.
✨ Locarno, TIFF, SXSW, Clermont-Ferrand
Distribution
Jean-Sébastien Hamel, Jack Hackel
Production
Jean-Sébastien Hamel, Alexandra Myotte (Sémaphore Films)
Screenplay
Alexandra Myotte, Jean-Sébastien Hamel
Artistic Direction
Alexandra Myotte
Animation
Alexandra Myotte
Editing
Jean-Sébastien Hamel
Sound
François Lacasse & Jean-Sébastien Hamel
Music
Brandon Hopkins
What We Leave Behind was born from a personal necessity to explore trauma not as a past event, but as a living, persistent presence. Dan, the protagonist, carries a visible wound, a missing piece in his neck, which represents the pain that we cannot express or escape. Through this film, we want to show how trauma leaves traces in the body, in the space, and in silence. The hockey arena, once a place of innocence, has become the theatre of broken memories. It turns into a mental labyrinth where Dan tries to find a lost part of himself.The 2D animation, drawn frame by frame, allows us to sculpt every emotion and sensation. The use of a subjective point of view and a slow, fragmented editing reflects the process of introspection: difficult, painful, but necessary. The minimalist, sometimes violent and brutal, sound environment supports this inner dive, amplifying the isolation and psychological tension. This film speaks about rage, shame, loneliness, but also about the courage it takes to face what eats us from the inside. It doesn’t offer a miracle solution, but it says that maybe, one day, it’s possible to start living differently...
Jean-Sébastien Hamel & Alexandra Myotte
Alexandra Myotte and Jean-Sébastien Hamel are a duo of writers-directors based in Montreal. Their award-winning animated short films and web series have been featured in numerous festivals around the globe. Their latest film NO TITLE (2021) has won multiple awards, including Best Canadian Short Film at EIFF 2021, in addition to being nominated for Best Animated Short Film at the 2022 IRIS Awards.
Ce qu'on laisse derrière | Short Animation | 2025Un trou dans la poitrine | Short Animation | 2023Pas de titre | No title | Short Animation | 2021Mademoiselle Pigeon | Short Animation | 2019






Spark Animation Film Festival, Canada | 2025 *Director's Prize
Cinemania, Canada | 2025 *Meilleur court métrage québecois
Festival de Cinéma en Abitibi-Témiscamingue, Canada | 2025 *Prix Vital
Festival du Court Métrage de Clermont Ferrand, France | 2026
Festival de Film Locarno, Switzerland | 2025
Toronto Int. Film Festival (TIFF), Canada | 2025
SLASH Fantastic Film Festival, Austria | 2025
Ottawa Int. Animation Film Festival, Canada | 2025
PÖFF Shorts, Estonia | 2025
Winterthur Int. Short Film festival, Switzerland | 2025
Anim'est, Romania | 2025
Yellowknife Int. Film Festival, Canada | 2025
Festival du Film Court de Dinan, France | 2025
Festival Images en Vues, Canada | 2025
Bogoshorts, Colombia | 2025
PLUM! International Animation Festival, Argentina | 2025
Caroline Rompré | pixelleX communications | 514-778-9294 | caroline@pixellex.ca

Travelling Distribution will be at Clermont-Ferrand from Saturday, January 31 (evening) to Friday January 6 (morning).
We're bringing 6 films with us - and a lot of cool merch, so leave room in your suitcase!
Three shorts in competition : BOA, WHAT WE LEAVE BEHIND, AIR HORSE ONE + three shorts at the market : TBA. Teams in attendance.
Book a meeting with us from Jan 1 to Jan 5 :
Buyers : Laurence Blais, admin@travellingdistribution.com
Programmers : Tam Dan Vu, coordo@travellingdistribution.com
Directors, producers : Louise Morel, louise@travellingdistribution.com

C’EST MA SOEUR (THAT’S MY SISTER) directed by Zoé Pelchat, written by Léalie Ferland Tanguay, produced by Papillon Films, will have its World Premiere at Berlinale Generation 14plus. Team in attendance.
Distribution Inquiries : info@travellingdistribution.com
Press Inquiries : caroline@pixellex.ca

1-2-3 films at SXSW (March 12–18, 2026)! Teams in attendance.
A WOLF IN THE SUBURBS
*World Premiere
dir. Amélie Hardy, prod. Metafilms
2026 | documentary | 19’
AIR HORSE ONE
*North American Premiere
dir. Lasse Linder, prod. Dynamic Frame, Black Boat and White Boat
2025 | documentary | 21’
WHAT WE LEAVE BEHIND
*US Premiere
dir. Jean-Sébastien Hamel & Alexandra Myotte
2025 | animation, genre | 11’
Distribution Inquiries : info@travellingdistribution.com
Press Inquiries : caroline@pixellex.ca

Florence Lafond’s BEAU TEMPS, MAUVAIS TEMPS (NO MATTER THE WEATHER) will be in competition at Slamdance (Feb 19 - 25, 2026) in the Documentary Shorts Competition.
Inquiries : info@travellingdistribution.com

After TIFF and TIFF Canada's Top Ten, Will Niava’s JAZZ INFERNAL (prod. Telescope, Disamare, Scara-b) will have its international premiere at Sundance Film Festival (Jan. 16 - 26, 2026). Team in attendance.
Distribution Inquiries : info@travellingdistribution.com
Press Inquiries : caroline@pixellex.ca

WE WERE THE SCENERY (dir. Christopher Radcliff, prod. Cathy Linh Che, Jess X Snow) is shortlisted at the 98th Academy Awards® for Best Documentary Short Film!
Distribution Inquiries : info@travellingdistribution.com