Once a year, people from different marginalized communities meet together in the woods to delve into the art of circus and have this discipline become a common way to express themselves, away from the city.
Production
Ginger Le Pêcheur
Executive Production
Cirque Hors Piste
Director
Justine Martin
Screenplay
Justine Martin
Artistic Direction
Laurence Girard
Cinematography
Myriam Payette
Editing
Félix Bouffard-Dumas
Sound
Jérémie Mazan
Music
Louis-Joseph Cliche
CARNAVAL is an ode to the circus arts in the form of a colorful, sensory spectacle. Using the forest as a backdrop, my documentary encounters a community on the fringe of society, questioning modes of expression and the importance of a pause in time.
When I was younger, I was immersed in the world of the circus for a long time, and I've always loved its strange, expressionist aspect. For me, CARNAVAL is a film that goes out and discovers people, letting them exist in a setting removed from the normativity of our society. I attach great importance to the forest, because for me it represents an inspiring place cut off from all influential factors, and can thus lead to gentle introspection. The forest acts here as a bubble preserved from the world, where the desire to be seen and heard rhymes with benevolence and the quest for meaning. As a witness to a colorful show, it was important for me to establish a distance between this world that was coming to life before our eyes.
With a strong sound and musical backdrop, I wanted the audience to be lulled by the steps of a community that dances to the rhythm of the vagaries of its reality. By rediscovering the nature of their identity through the circus, the people we meet deliver a beautiful lesson in humanity through their gestures, in a universe that is bright, distinct and a tad whimsical.
Justine Martin

Justine Martin is a Quebecois filmmaker whose work explores rites of passage, the influence of time and the intersection between reality and fiction. She is a graduate from the Mel Hoppenheim School of Cinema in Montreal and was part of the 2024 Sundance Ignite Fellowship cohort. Her debut documentary short, Oasis (2022), has been shortlisted at the 96th Academy Awards® for Best Documentary Short and is part of the New York Times’ Op-Docs collection. Justine is currently developing Sundays, a feature-length documentary, while her third short film, Little Goodbyes (2025), is currently in distribution.
Les faux sapins | Short Fiction | 2025
Carnaval | Short Documentary | 2023
Oasis | Short Documentary | 2022
Atlantic Film Festival, Canada | 2024
Vues sur mer, Canada | 2023
Rendez-vous Québec Cinéma, Canada | 2024
Les Percéïdes, Canada | 2024
Cinéma sous les étoiles, Canada | 2024
Festival du film de la Ville de Québec, Canada | 2024
Festival du film de Knowlton, Canada | 2024
DOC-Cévennes Festival de Lasalle, France | 2024
Indy Shorts Heartland Film Festival, USA | 2024
Indie Street Film Festival, USA | 2024
Cinema on the Bayou, USA | 2024
PLONS! International Short Documentary Film Festival, Netherlands | 2024
Porto Post Doc, Portugal | 2024

Thrilled ta announce that our two latest and highly anticipated international acquisitions will have their World Premiere at Locarno!
🪩 THE BLESSING
dir. Caroline Poggi & Jonathan Vinel
prod. 444 Films, Atelier de Production
2026 | 24’ | france, switzerland
Pardi di domani : Competition Corti d'autore
In attendance : Caroline Poggi, Jonathan Vinel, Fabien Dao, Edouard Lalanne, Marion Dana, Lazare Aïbout Sibille, Tam Dan Vu
🥀 IN THE SILENCE AFTER
dir. Sebastian Delascasas
prod. Sebastian Delascasas, Reuben Hamlyn
2026 | 17' | qatar, usa, columbia
Pardi di domani : Concorso Internazionale
In attendance : Sebastian Delascasas, Reuben Hamlyn, Tam Dan Vu
Distribution Inquiries : info@travellingdistribution.com
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SKINNY BOTTINES (dir. Romain F. Dubois, prod. Couronne Nord) wins the Sony Discovery Prize for Short Film at Cannes Critics' Week!
“It’s hard to put into words, but imagine making a self-funded film with friends and winning at Cannes. I’m so proud of the crew, so proud of my friends. I return with a heart filled with joy and a suitcase packed with goodies. I’m thrilled that SKINNY BOTTINES found its audience. I feel privileged, loved, sexy.” - Romain F. Dubois, filmmaker

SKINNY BOTTINES, romain f. dubois' first solo short (prod. couronne nord) in competition at cannes' critic's week (may 13 - 21, 2026). with the team in attendance (romain f. dubois, couronne nord, dominick rustam, aksel leblanc, travelling distribution).
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book a meeting with us from may 16 to 21, inclusive:ji
buyers : laurence blais, admin@travellingdistribution.com
programmers, filmmakers / producers : tam dan vu, coordo@travellingdistribution.com

still freshly glowing from its international premiere, will niava’s JAZZ INFERNAL wins the oscar®-qualifying short film jury award : international fiction at SUNDANCE! 🥺🏆💖💌
jury citation: “this film deeply resonates in a way that lingers long after viewing, powerfully blending evocative atmosphere, gorgeous cinematography, music, and global storytelling influences into a profoundly singular vision.”

Travelling Distribution will be at Clermont-Ferrand from Saturday, January 31 (evening) to Friday January 6 (morning).
We're bringing 6 films with us - and a lot of cool merch, so leave room in your suitcase!
Three shorts in competition : BOA, WHAT WE LEAVE BEHIND, AIR HORSE ONE + three shorts at the market : TBA. Teams in attendance.
Book a meeting with us from Jan 1 to Jan 5 :
Buyers : Laurence Blais, admin@travellingdistribution.com
Programmers : Tam Dan Vu, coordo@travellingdistribution.com

C’EST MA SOEUR (THAT’S MY SISTER) directed by Zoé Pelchat, written by Léalie Ferland Tanguay, produced by Papillon Films, will have its World Premiere at Berlinale Generation 14plus. Team in attendance.
Distribution Inquiries : info@travellingdistribution.com
Press Inquiries : caroline@pixellex.ca

1-2-3 films at SXSW (March 12–18, 2026)! Teams in attendance.
A WOLF IN THE SUBURBS
*World Premiere
dir. Amélie Hardy, prod. Metafilms
2026 | documentary | 19’
AIR HORSE ONE
*North American Premiere
dir. Lasse Linder, prod. Dynamic Frame, Black Boat and White Boat
2025 | documentary | 21’
WHAT WE LEAVE BEHIND
*US Premiere
dir. Jean-Sébastien Hamel & Alexandra Myotte
2025 | animation, genre | 11’
Distribution Inquiries : info@travellingdistribution.com
Press Inquiries : caroline@pixellex.ca

Florence Lafond’s BEAU TEMPS, MAUVAIS TEMPS (NO MATTER THE WEATHER) will be in competition at Slamdance (Feb 19 - 25, 2026) in the Documentary Shorts Competition.
Inquiries : info@travellingdistribution.com

After TIFF and TIFF Canada's Top Ten, Will Niava’s JAZZ INFERNAL (prod. Telescope, Disamare, Scara-b) will have its international premiere at Sundance Film Festival (Jan. 16 - 26, 2026). Team in attendance.
Distribution Inquiries : info@travellingdistribution.com
Press Inquiries : caroline@pixellex.ca

WE WERE THE SCENERY (dir. Christopher Radcliff, prod. Cathy Linh Che, Jess X Snow) is shortlisted at the 98th Academy Awards® for Best Documentary Short Film!
Distribution Inquiries : info@travellingdistribution.com